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a Proof Actors'
Summit Theatre
A brief respite from
the teaching mode. Neil asked me to direct another play this time starring his
daughter, son-in-law and himself. In any other family this would raise red flags
and cause one to run screaming from the theatre, but iin this case, I jumped at
the chance. His daughter and son-in-law are both graduates of the Actors' Studio
in NYC. I had worked with daughter Connie on a radio project when she was but
a whelp and knew that be it nurture or nature, she had inherited serious chops.
He husband Keith Stevens was probably one of the best if not the best student
I had had at Cleveland State. Keith had recently been asked to be a life member
of the Actors' Studio--a singular honor. The only cast member left to cast was
Claire's older sister. Neil gave me Alicia Kahn. Alicia had been my assistant
teaching a Shakespeare workshop for the Fairmount Cent;er a few years earlier.
I knew her to be a terrific actress and vy brainy. Casting is 90%. What a joy
to be able to work with a dream cast.
This was nonetheless a challenging
task. A sampling of the reviews: Free
Times Alive And Well Actors' Summit Has Proof! By Jean Seitter
Cummins
...Actors' Summit's current
production is proof that storytelling still works. It's a dazzling gem of a piece
that examines the facets of human relationships using mathematics as a metaphor.
Set in Chicago's
Hyde Park neighborhood in the shadow of "The University," Proof stars
Neil Thackaberry as Robert, a crusty old mathematician moving in and out of dementia.
He is cared for by his daughter Catherine, played by Thackaberry's own daughter
Constance, who has inherited the mathematician's brilliance as well as, she fears,
his instability. After years of living in isolation, her own sanity is in jeopardy
until a "gentleman caller" - one of the professor's former students
- arrives on the scene. Keith Stevens makes a very engaging Dobbs, a man of
such integrity and generosity that we are almost afraid to trust his motives.
Is it Catherine he's really interested in or her father's notebooks? The give-
and-take as their fragile relationship evolves is a delight to watch. (Those sparks
are real. Connie and Keith are a real- life husband and wife, part of the extended
family at the heart of Actors' Summit.) Completing the cast is Alicia Kahn in
the role of Claire, the meddling but well-meaning Manhattan sister who wants to
airlift the family's problems from Chicago to New York in the belief that everything
is better - trendier, hipper, even warmer - than on the shores of Lake Michigan. It's
a near-perfect cast, and director Wayne Turney explores all the nuances
of this brilliant script....Proof is an old-fashioned script with a focus on human
values and emotions but it's new-fashioned, too, in the way scenes move backward
and forward in time, each one ending with a question that requires more information,
more engagement to unravel. We believe that we are solving a puzzle when in truth
we are sharing the fragmented life of a family that is both loving and dysfunctional.
...? It's engaging, meaningful, funny, and tragic - everything you're looking
for, and all the proof you need that theater is alive and well in Northeast Ohio.
Akron Beacon Journal Actor's
Summit shines in award-winning play By Elaine Guregian
Proof is a play about math only in
the way that The Wizard of Oz was a play about tornadoes. Math is what
drives three of the main characters in David Auburn's 2001 Tony Award-winning
play, but it's not the point of the drama. In the Actor's Summit's excellent new
production, a family sorts itself out, not through mathematical proofs but through
honest, often raw, dialogue, Friday night, director Wayne Turney led
one of the strongest shows I've seen by the Hudson company THE
TIMES NEWSPAPERS 'PROOF' adds up at ACTORS' SUMMIT By
Roy Berko (Member, American Theatre Critics Association) ...Actors'
Summit's production, under the guidance of Wayne Turney, is excellent.
It is well paced and each of the actors develops a clear character....Actors'
Summit's 'PROOF' is a well conceived production of an excellent script. There
isn't a weak link in the production chain.
West Side
Leader 'Proof' theatrical magic at Actors' Summit By
David Ritchey "We must
all ultimately decide what we believe to be true in order to function rationally
in an often irrational world. But do we know what we believe is true?" With
these words, Director Wayne Turney concludes his notes in the program of
"Proof," which is now on stage at Actors' Summit Theater. What is
truth? What do we believe to be true? ...In 2001, Playwright David Auburn
received the Tony Award and the Pulitzer Prize for "Proof." Since that
time, the play has received numerous productions. This is the sixth time I've
seen "Proof," which includes two Broadway performances and one each
in London (with Gwyneth Paltrow), Cleveland Play House, Weathervane Community
Playhouse and, now, Actors' Summit. ...Turney has made this an interesting,
moving production. He is an exacting director who makes every movement, every
hesitation and every line move the story forward. He does not permit a performer
to waste a moment of energy or time. ...This is an excellent production of
"Proof." Seldom do audiences get to see an excellent script, well directed
and beautifully acted. When all of the elements fall in place, it's good theatrical
magic.
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