St Augustine on the Theatre

In his Confessions, Augustine of Hippo makes a devastating indictment of the theatre:

"Stage-plays also carried me away, full of images of my miseries, and of fuel to my fire. Why is it, that man desires to be made sad, beholding doleful and tragical things, which yet himself would by no means suffer? yet he desires as a spectator to feel sorrow at them, and this very sorrow is his pleasure. What is this but a miserable madness? for a man is the more affected with these actions, the less free he is from such affections. Howsoever, when he suffers in his own person, it used to be styled misery; when he compassionates others, then it is mercy. But what sort of compassion is this for feigned and scenical passions? for the auditor is not called on to relieve, but only to grieve: and he applauds the actor of these fictions the more, the more he grieves. And if the calamities of those persons (whether of old times, or mere fiction) be so acted, that the spectator is not moved to tears, he goes away disgusted and criticising; but if he be moved to passion, he stays intent, and weeps for joy.

Are griefs then too loved? Verily all desire joy. Or whereas no man likes to be miserable, is he yet pleased to be merciful? which because it cannot be without passion, for this reason alone are passions loved? This also springs from that vein of friendship. But whither goes that vein? whither flows it? wherefore runs it into that torrent of pitch bubbling forth those monstrous tides of foul lustfulness, into which it is wilfully changed and transformed, being of its own will precipitated and corrupted from its heavenly clearness? Shall compassion then be put away? by no means. Be griefs then sometimes loved. But beware of uncleanness, O my soul, under the guardianship of my God, the God of our fathers, who is to be praised and exalted above all for ever, 1 beware of uncleanness. For I have not now ceased to pity; but then in the theatres I rejoiced with lovers when they wickedly enjoyed one another, although this was imaginary only in the play. And when they lost one another, as if very compassionate, I sorrowed with them, yet had my delight in both. But now I much more pity him that rejoiceth in his wickedness, than him who is thought to suffer hardship, by hissing some pernicious pleasure, and the loss of some miserable felicity. This certainly is the truer mercy, but in it grief delights not. For though he that grieves for the miserable, be commended for his office of charity; yet had he, who is genuinely compassionate, rather there were nothing for him to grieve for. For it good will be ill willed (which can never be), then may he, who truly and sincerely commiserates, wish there might be some miserable, that he might commiserate. Some sorrow may then be allowed, none loved. For thus dost Thou, O Lord God, who lovest souls far more purely than we, and hast more incorruptibly pity on them, yet are wounded with no sorrowfulness. And who is sufficient for these things? 2 3

"But I, miserable, then loved to grieve, and sought out what to grieve at, when in another’s and that feigned and personated misery, that acting best pleased me, and attracted me the most vehemently, which drew tears from me. What marvel that an unhappy sheep straying from Thy flock, and impatient of Thy keeping, I became infected with a foul disease? And hence the love of griefs; not such as should sink deep into me; for I loved not to suffer, what I loved to look on; but such as upon hearing their fictions should lightly scratch the surface; upon which, as on envenomed nails, followed inflamed swelling, impostumes, and a putrefied sore. My life being such, was it life, O my God?"

But years later, Augustine softened his condemnation in Civitate Dei (The City of God) to allow the reading of certain pagan writers as part of a gentlemanly study of rhetorical arts.